From a composition for harp in which the player sings fragments of ancient Greek poetry, to intricate interweavings of written and improvised music with electronics, Richard Barrett’s recent music creates complex and compelling worlds of sound inspired by natural processes of growth and evolution, in collaboration with the innovative Serbian harpist Milana Zarić, alongside a recent work by Sara Pinheiro and new commissions by Robin Haig, Poumpak Charuprakom as culmination to the William Mathias Composition Prize.

 
Programme:
Richard Barrett: mirage

Robin Haig: NO ONE: Volume 2 (BMF commission & WP)

Richard Barrett: outsider (WP); pektis (WP)

—-

Sara Pinheiro: Reticências (UKP)

Poumpak Charuprakom: Soliloquy (BMF commission & WP)

Richard Barrett/Milana Zarić: tendril

Recorded for broadcast on BBC Radio 3

Biographies

Richard Barrett

Richard Barrett was born in Swansea in 1959. He is internationally active as composer and performer, and his work encompasses a range from free improvisation to intricately notated scores, and from acoustic chamber music to innovative uses of digital technology. His principal composition teacher was Peter Wiegold, and he is currently Professor of Research in Creative Music at the University of Leiden and teaching electroacoustic composition at the Royal Conservatoire of The Hague. Current projects include extended works for the Elision Ensemble, with whom he has been collaborating regularly since 1990, as well as the Fonema Consort and Soundinitiative. Ongoing performative collaborations include the electronic duo FURT with Paul Obermayer and a duo with harpist Milana Zarić. He has been a regular member of the Evan Parker Electro-Acoustic Ensemble since 2003. In October 2020 he set up the digital label STRANGE STRINGS together with harpist Milana Zarić. His book Music of Possibility was published by Vision Edition in 2019.

Milana Zarić 

Equally active in classical, contemporary composed, experimental and freely improvised music, harpist Milana Zarić  connects creative performance with contemporary sensibility and new technologies.  Milana has been the principal harpist of Belgrade Philharmonic Orchestra since 2005, working with distinguished international conductors and soloists. She appeared as soloist with the BPO as well as several chamber orchestras, premiering 20th century works in Serbia.Milana is a founding member and leader of Ensemble Studio 6, a contemporary music group active since 2012. Ensemble Studio 6 has toured internationally, advocating collaborative music creation as well as repertoire works. A specialist in harp repertoire from 1960s onwards, Milana has been regularly collaborating with composers and sound artists, many of whom have dedicated works to her. She has commissioned and premiered over 30 solo and ensemble new works. Milana is  internationally active as a chamber musician as well as a free improviser in many formations. One of her most active duets is harp and electronics, with Richard Barrett. They have been performing together worldwide since 2013, playing original composed and collaborative works. Apart from performance activities, Milana has lectured at universities in the US and the UK and regularly takes part in gender equality projects.

Electroacoustic WALES

Electroacoustic WALES exists to promote and encourage the creation and dissemination of electroacoustic music within Wales and beyond. Based at Bangor University, Electroacoustic WALES supports electroacoustic music composition and research in the School of Music’s studios, organises and promotes concerts of electroacoustic music, stages workshops on the principles and practice of electroacoustic music, and acts as a conduit and focal point for discussion and cooperation between electroacoustic music composers, performers and listeners in Wales and internationally.

Sara Pinheiro

Sara Pinheiro (1985) is a sound-maker. For film and video-art, she does sound recording, editing, foley and mixing. In her solo practice, she makes acousmatic pieces, usually for multichannel performances, radio broadcasts or installations. She is a member of the live-coding group K-o-l-e-k-t-i-v and collaborates with the Bystrouška Sound Studios, in Prague. Pinheiro graduated in Cinema (Lisbon, 2008) and holds a Master of Music in Sonology (The Hague, 2012), where she is a guest lecturer. She has been part of the teaching committee at CAS – FAMU since 2013. Her academic work is practice-based research under the name of “Acousmatic Foley”. She is currently a PhD student at The Department of Music, Drama and Performance at Bangor University (UK), under the Parry Williams scholarship.

Robin Haigh

Robin Haigh writes music of “scintillating unpredictability” (Tom Service, BBC Radio 3) that has also been described as “timeless”, “dream-like” (Musical Opinion Magazine), “irreverent”, “provocative” (Chicago Theatre Review), and “remarkably discombobulating” (Seen and Heard International). His internationally performed work first came to public attention in 2017 when, aged 24, his recorder quintet In Feyre Foreste won a British Composer Award, being described by the judges as “completely refreshing” and “magical”. His chamber orchestra piece Grin, commissioned by the Britten Sinfonia earned him an Ivor Novello Award in 2020, being hailed as a “quirky, playful, bold and original work with a highly distinctive musical language and sound”. In 2021 he was an Ivor Novello nominee and Tippett Medal finalist for his harp solo No One, and winner of the BDRS Competition and Dante Moro Competition.
Past and future collaborators include the London Philharmonic Orchestra, London Symphony Orchestra, Royal Northern Sinfonia, Orchester im Treppenhaus, Dolomiti Symphonia Orchestra, The Ligeti Quartet, The Hermes Experiment, The Berkeley Ensemble, Nicholas Daniel OBE, Tabea Debus, Thomas Gould and Oliver Wass.

Poumpak Charuprakorn

A Thai composer whose interests lie in both instrumental and electroacoustic compositions, obtained his first degree at Chulalongkorn University (Bangkok, Thailand) under the guidance of Professor Narongrit Dhamabutra and Professor Weerachat Premananda. Supported by the Office of Higher Education Commission of Thailand, he later studied with Dr Harris Kittos and Dr Jonathan Cole and received his Master of Music in Composition from the Royal College of Music (London). In 2020, Poumpak obtained a Doctor of Philosophy in Music (Composition) from Cardiff University under the supervision of Professor Arlene Sierra. His works have been featured in Thailand International Composition Festival 2015, Valencia International Performance Academy and Festival 2018, Bangor Music Festival 2019, Sciencefest 2019, Toronto Contemporary Music Lab 2019, National Theatre Wales Located Residencies project ‘Back to the Land’ in 2020, and Thailand New Music and Arts Symposium 2021. Poumpak is a lecturer at Silpakorn University Faculty of Music and now based in Bangkok, Thailand. He is currently working on a series of compositions for a small ensemble with live electronics, funded by the National Research Council of Thailand.